The narrative script first draft has been written and I went to a tutorial where I was given an interesting critique of my work. I feel that the tutor, however, cares a lot more for the plot holes in my script than the characterisation and overall theme of the script, which is at odds with the general advice given to us in lectures ("character, character, character"). The plot holes are less plot holes than things that aren't necessary to explain and the explanation of which may well detract from the overall story. So I have decided to ignore those comments.
Her other comments were very relevant. Firstly to make the main character more important to the climax and denouement of the story, and secondly to make the mother's character less of a stereotype.
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